Kazimir Malevich Canvas Prints

Black and Red Square, The Running Man and An Englishman in Moscow show several sides of Malevich in canvas reproduction. Compare geometry, figures and the density of each composition.

Shapes, figures and light spaces
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Canvas prints in this collection

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Which Malevich print beyond the black square?

This collection includes isolated abstract forms, figures and layered compositions. Choose between a sparse image and one rich in detail.

Kazimir Malevich Black and Red Square canvas print

Black and Red Square: two forms, open space

Two black and red forms stand on a pale ground. The vertical version leaves much of the surface open and suits a graphic room seeking clear contrast without many small motifs.

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Kazimir Malevich The Running Man canvas print

The Running Man: a moving figure

A silhouette appears against blue sky and bright bands of colour. This recognisable figure connects a geometric setting with a figurative subject.

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Kazimir Malevich An Englishman in Moscow canvas print

An Englishman in Moscow: layered elements

Letters, fragments and shapes cross in a dense image. It invites a closer reading than the two squares and can suit a desk or a place where you pause.

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Abstract geometry and figures differ

Malevich is closely associated with Suprematism, which centres form and colour without depicting a recognisable subject. His work also includes other experiments and figures. Compare broad spaces around a few forms, a silhouette in a simplified setting and layered elements.

Leave room around a sparse composition

In Black and Red Square, pale areas matter as much as the shapes. Leave some free wall around the canvas and avoid placing many detailed objects immediately beside it. A red accent can connect the image to the room without repeating every colour.

Check the version actually offered

Black and Red Square refers here to a composition with two shapes; it is not the famous single Black Square. The products are canvas reproductions whose sizes or crops may differ from the originals. Use the current product images and dimensions to know what you are choosing.

What format suits a Malevich reproduction?

The three examples are vertical. Compare their height with your wall and their detail with your viewing distance. Two simple shapes read well from farther away; An Englishman in Moscow rewards a closer look. Mark the chosen product dimensions on the wall.

Example: Black Square and Red Square โ€“ Kasimir Malevich โ€“ The Suprematist Shock Wall Art.
Available sizes (width ร— height): 31 ร— 41 cm ยท 41 ร— 51 cm ยท 46 ร— 61 cm ยท 61 ร— 91 cm.

Above a sofa or bed

Compare the width of the canvas with that of the furniture. Leave space around the picture and check how it looks from your usual viewing distance.

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On a narrow section of wall

A vertical format emphasises the height of an entrance or fits beside a bookcase. Mark out its outline with masking tape before choosing.

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The canvas print you receive

The image is reproduced as a print on canvas. Any brushstroke or texture effect visible in the image is part of the printed design.

The textured canvas has a matte finish and is stretched over a wooden stretcher frame. The edges are printed and hanging hardware is included. The stretcher supports the canvas; it is different from an outer decorative frame.

The estimated delivery date appears on each product page. For details, see our shipping policy and our returns policy.

Your questions about this collection

Are Kasimir, Kazimir and Malevich the same artist?

Yes. These spellings reflect different transliterations. This collection uses Malevich in English; compare titles and images when seeking a particular work.

Are all works here Suprematist?

No. The selection includes geometry as well as figures and recognisable fragments. Suprematism is important to Malevich, but does not describe every image in this collection.

Are the squares raised pieces attached to the canvas?

No. Shapes, colours and any apparent texture are part of the printed image. The product specifications describe the actual support and finish.

Compare other abstract structures in Mondrian canvas prints and Hilma af Klint reproductions.

Our article on Malevich and Suprematism offers more context.