Miss La La at the Cirque Fernando – Edgar Degas

An acrobat suspended beneath the Cirque Fernando’s dome

High above the ring, the small figure hangs alone against the vast network of sea-green and orange beams. The painting Miss La La at the Cirque Fernando by Degas instantly draws the eye upward. The acrobat appears suspended above the ring, tiny against the towering framework of the Cirque Fernando. The sea-green beams cut bold diagonals across an orange ceiling, while her light costume catches the light. The low-angle framing conveys the height, effort and daring of the performance without showing the audience.

A striking vertical composition that elevates any wall

This vertical architecture creates a sense of elevation, making it ideal for stairwells, tall hallways or living rooms with clean lines. The coral, mint and gold tones work beautifully alongside light terracotta walls, light wood or black metal. The figure remains subtle enough to let the graphic rhythm of the beams take centre stage, ensuring the artwork suits both contemporary and classic interiors.

The thrill of the Cirque Fernando in 1879

Exhibited in 1879, this scene reflects Degas’s fascination with modern entertainment and unexpected perspectives. Rather than idealising the circus performer, he emphasises the distance between her and the ground and the structure of the venue. The canvas reproduction captures the bold diagonal lines and warm palette. The painting Miss La La at the Cirque Fernando stands as a bold and distinctive piece, perfect for those seeking a Degas beyond his ballerinas.

Canvas features

• High-definition digital print on canvas
• Canvas with a thickness of 0.5 mm
• Canvas fabric density: 470 g/m²
• Fade-resistant
• Matte finish
• Hand-stretched over a solid wood frame
• 3.81 cm depth
• Printed edges
• Mounting hardware included
• Free delivery

Size guide