
Childhood, No. 1: curves on blue
Pale floral shapes, circles and yellow lines stand out against blue. This detailed vertical version works with plain textiles that pick up one colour rather than the whole palette.
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Multicoloured circles, luminous gradients and warm swirling forms: choose abstract canvas art...
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The Ten Largest and the Altarpieces reveal different sides of Hilma af Klintβs work. Compare organic forms, circles and geometric structures in these reproductions printed on canvas.
These works do not share a single geometry. Curves fill some images, while others arrange shapes around a central axis. Compare their effect on your wall.

Pale floral shapes, circles and yellow lines stand out against blue. This detailed vertical version works with plain textiles that pick up one colour rather than the whole palette.
View this canvas print β
Large yellow and pink forms fill the image. Its rhythm is more abundant than an abstraction built from straight lines. An open wall lets you see the broad colours from afar and smaller signs up close.
View this canvas print β
A multicoloured triangle meets a luminous circle against a dark ground. The central axis gives the composition a clear structure while retaining several colours.
View this canvas print βThe Ten Largest, painted in 1907, evoke stages of life from childhood to old age. The Altarpieces of 1915 belong to another group within The Paintings for the Temple. These series help distinguish the works. You do not need to assign one fixed meaning to every shape to choose a reproduction.
Curves and floral motifs in Childhood or Adulthood can offset very straight furniture. Altarpiece No. 1 offers a stronger central axis. Compare blue ground, pink tones and dark contrast; one secondary colour can connect a busy print to the room.
The Ten Largest names a series of large original works, not the dimensions of the product sold here. These are canvas prints in the sizes listed on their pages. Cropping or proportions may be adapted. Any golden effects visible in the image are printed, not applied metallic leaf.
The three examples shown are vertical. Compare their height with the available wall, especially beside a door or bookcase. For a dense composition, allow room to view details. Use the product dimensions rather than the series title or a room photograph.
Example: The Ten Largest No. 1 β Childhood β Hilma af Klint Art Print.
Available sizes (width Γ height): 31 Γ 41 cm Β· 41 Γ 51 cm Β· 46 Γ 61 cm Β· 61 Γ 91 cm Β· 81 Γ 122 cm.
The image is reproduced as a print on canvas. Any brushstroke or texture effect visible in the image is part of the printed design.
The textured canvas has a matte finish and is stretched over a wooden stretcher frame. The edges are printed and hanging hardware is included. The stretcher supports the canvas; it is different from an outer decorative frame.
The estimated delivery date appears on each product page. For details, see our shipping policy and our returns policy.
The examples from The Ten Largest spread curves, signs and colour across the surface. Altarpiece No. 1 centres a triangle and circle on a vertical axis. Compare density and symmetry with your room.
No. Hilma af Klint and Gustav Klimt are different artists. This collection contains works attributed to Hilma af Klint; check the title and image for a particular piece.
No. Choose one print or combine several available formats. For a pair, compare palette and pattern density and leave a regular gap. Each print is an individual product unless its page says otherwise.
Compare another approach to abstraction in Kandinsky reproductions and Malevich canvas prints.
Read more about Hilma af Klint in our artist article.